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Beginning with an instrumental opening, Flower Festival’s latest album ‘Age’ offers up an invitation to tilt your ears between jittery analog texture and elegantly fluid drumbeats. But it’s the inward-looking songwriting that makes the best case for Flower Festival’s relatability from his professions of self-hatred to an overall detachment from common culture.
Flower Festival’s 3rd full-length album was written at two significantly different times in Micah Dailey’s life, taking music recorded over 8 years ago, revisited and finished with lyrics written today. Much of the album’s influence came from a newfound peace and appreciation for his upbringing. “It’s easy to dismiss art we’ve created in a different time- like I hear recording techniques; I hear riffs or instrumentation I wouldn’t do now. But the album came from a new way of engaging with art that really freed me, a peace about where I was at both of those times in my life.” Having grown up in the Middle East, Micah moved back to Arizona in 2011 where an internal tug-of-war rooted in guilt and inadequacies made for some significantly self-deprecating songwriting, as you might imagine being that his album at the time was entitled “Cry Baby”.